GILLIGAN'S ISLAND

			    Voodoo Something to Me

				     By

			        Austin Kalish

				     and

				Elroy Schwartz


							   October 10, 1964

				TEASER
FADE IN

STOCK SHOT OF BEACH/OCEAN THROUGH PALM TREES - CREDITS 
OVERLAY

FADE TO: STOCK SHOT OF SUNSET THROUGH PALM TREES

CUT TO: EXT - HUT CLEARING - NIGHT
CLOSE UP OF GILLIGAN

PULL BACK TO WIDE SHOT

	We see Gilligan standing alone near a fire at night 
	with his right hand resting on a pistol. His head is 
	cocked to one side as we hear him snoring. He's 
	supposed to be on sentry duty. We see the skipper 
	emerge from one of the huts.

				SKIPPER
			All right folks it's time.

	All the other castaways emerge in a very tired and 
	groggy state from the other hut.

				MARY ANN
			Evening skipper.

				SKIPPER
			Evening ladies.

				GINGER
			Good evening skipper.

				SKIPPER
			    (TO GILLIGAN)
			No cause for alarm Gilligan, it's the 
			skipper.

	Gilligan doesn't respond. The group walks along with 
	the skipper and stops behind Gilligan. The skipper 
	stands to Gilligan's right as Ginger stands to his 
	left.

				SKIPPER
			Oh, always remember to identify 
			yourselves when Gilligan's on watch. He 
			tends to be trigger-happy. He shoots 
			first and asks questions later. 

	The skipper approaches the still sleeping Gilligan.

				SKIPPER
			Gilligan is everything all right?

	Again no response.

				SKIPPER
			Gilligan?

	And again nothing. The skipper has had it now.

				SKIPPER
			GILLIGAN!!

	That got Gilligan's attention. He immediately pulls 
	his pistol, raises it up at arms length and shoots. 
	The skipper ducks under Gilligan's arm to avoid 
	being shot.

				GILLIGAN
			Halt or I'll shoot!!

CUT TO: CLOSE UP OF SKIPPER AND GILLIGAN

	Gilligan realizes it's the skipper only after the 
	skipper ducks out of the way.

				GILLIGAN
			Oh hi skipper.

CUT TO: CLOSE UP OF GINGER, MARY ANN AND THE PROFESSOR

				GINGER
			We're terribly sorry to wake you when 
			you're on sentry duty Gilligan.

CUT TO: CLOSE UP OF SKIPPER AND GILLIGAN

				GILLIGAN
			Oh that's all right.

				SKIPPER
			All right folks, flare time.

CUT TO: CLOSE UP OF GINGER, MARY ANN AND THE PROFESSOR

				MARY ANN
			Why do we fire off a flare every night? 
			We don't even know if there's a ship out 
			there.

				PROFESSOR
			But we don't know there isn't one either. 
			Might be a freighter or an oil tanker.

CUT TO: CLOSE UP OF MR AND MRS HOWELL

				MRS HOWELL
			A freighter or an oil tanker? Ich!

				MR HOWELL
			Well that's all right Lovey, we can wait 
			for a yacht.

				SKIPPER
			Everybody gather over here now. Keep your 
			fingers crossed.

CUT TO: CLOSE UP OF MARY ANN, PROFESSOR AND GILLIGAN

				MARY ANN
			How many flares do we have left?

				PROFESSOR
			About a hundred and fifty.

CUT TO: CLOSE UP OF SKIPPER AND MR AND MRS HOWELL

				SKIPPER
			Everybody ready?
			Standby!

CUT TO: GROUP SHOT

			      (CONTINUED)
			Ready, Fire!

	The skipper raises the flare pistol and pulls the 
	trigger. A loud bang followed by.

CUT TO: STOCK FOOTAGE OF FLARE RACING SKYWARD AND BURSTING 
INTO A BRIGHT STAR LIKE LIGHT DESCENDING BY A PARACHUTE

CUT TO: CLOSE UP OF MARY ANN, GILLIGAN AND THE PROFESSOR

				PROFESSOR
			Now lets pray that somebody saw our 
			signal.

CUT TO: CLOSE UP OF MR AND MRS HOWELL AND THE SKIPPER

				MR HOWELL
			Well if they did I hope they don't come 
			barging in the middle of the night to 
			come rescue us, I'm simply exhausted.

				MRS HOWELL
			Yes we haven't had a decent nights sleep 
			since we got here.

CUT TO: GROUP SHOT

				SKIPPER
			Why I don't think any of us has.

	The skipper looks over and sees Gilligan asleep 
	again at his post with right hand on his pistol and 
	snoring away.

				SKIPPER
			Except Gilligan. Oh!

	The skipper comes up next to Gilligan again.

				SKIPPER
			Gilligan!

	Again Gilligan wakes up and immediately pulls his 
	gun as the skipper ducks and fires.

				GILLIGAN
			Halt.

CUT TO: CLOSE UP OF SKIPPER AND GILLIGAN

			      (CONTINUED)
 			.or I'll.Shoooot. Oh, hi skipper.

				SKIPPER
			Well you folks may as well turn in. 

CUT TO: GROUP SHOT

				SKIPPER
			I'll have a talk with our sentry. That is 
			if he can stay awake long enough.
			Good night!

			 MARY ANN AND GINGER
			Good night skipper.

				SKIPPER
			Good night ladies.

	The skipper now turns his attention to Gilligan.

CUT TO: CLOSE UP OF SKIPPER AND GILLIGAN

				SKIPPER
			Gilligan how many bullets have you got 
			left in that gun?

				GILLIGAN
			One.

	Gilligan fires the gun to show the skipper. Now he 
	has none.

				GILLIGAN
			See.

	The skipper is not happy with Gilligan at the 
	moment.

				GILLIGAN
			What did you want to talk to me about 
			skipper?

				SKIPPER
			Gilligan, sentry duty is a sacred trust. 
			You've got to keep a close watch on the 
			weather! If it starts to rain you got to 
			see that the supplies in the hut are kept 
			dry! 

				GILLIGAN
			Well you can depend on me skipper.

CUT TO: WIDE SHOT OF SKIPPER AND GILLIGAN

				SKIPPER
			Most important thing of all, you've got 
			to keep a constant look out for ships!

				GILLIGAN
			Aye, aye sir.

				SKIPPER
			Watch that ocean like a hawk!
	
	Gilligan points out into the jungle.

				GILLIGAN
			Like a hawk sir! If there's a ship out 
			there I'll see it!

				SKIPPER
			If there's a ship out there it's in 
			trouble!

				GILLIGAN
			Huh?

				SKIPPER
			The oceans THIS way!

	The skipper points in the direction of the ocean 
	which is opposite of where Gilligan is looking.

CUT TO: CLOSE UP OF SKIPPER AND GILLIGAN

				GILLIGAN
			Oh. I thought that seaweed looked awful 
			tall.

				SKIPPER
			Gilligan. Are you really wide-awake?

				GILLIGAN
			Wide-awake sir!

				SKIPPER
			No more sleeping on your post?

				GILLIGAN
			No more sleeping sir!

				SKIPPER
			Good man! Now I'll see you in the 
			morning.

				GILLIGAN
			In the morning sir!

				SKIPPER
			Good Night.

				GILLIGAN
			Good night sir!

CUT TO: WIDE SHOT

	The skipper turns and starts to walk away and leaves 
	Gilligan to resume his sentry duties. He immediately 
	resumes his original position of having his Right 
	hand on the pistol, head cocked to one side and he 
	goes right to sleep.

CUT TO: SHOT OF BUSHES MOVING AT THE EDGE OF THE CLEARING

	We hear a monster like roaring sound coming from the 
	jungle along with the moving bushes.

CUT TO: CLOSE UP OF GILLIGAN

	Gilligan wakes up momentarily in response to the 
	sound, looks around, and goes back to sleep as we.


								FADE OUT






				ACT ONE

FADE IN

STOCK SHOT OF VIEW OF OCEAN THROUGH PALM TREES

FADE TO: EXT - HUT CLEARING - MORNING - WIDE SHOT

	Gilligan is still at his post fast asleep. The 
	skipper is seen coming out of his hut stretching and 
	yawning. He makes his way over to Gilligan and makes 
	a grunting sound to wake Gilligan up. Immediately, 
	Gilligan pulls his pistol and starts firing. 

				GILLIGAN
			Halt who goes.friend.or.foe.

	The skipper drops to the ground in response. There 
	are no bullets in the gun, so all we hear is the 
	repeated clicks of the hammer.

				SKIPPER
			Ata boy Gilligan. Nice to see that 
			you're still awake at your post.

CUT TO: SAME AREA - NEW ANGLE

				GILLIGAN
			When you told me how important sentry 
			duty was, I didn't shut my eyes the whole 
			night skipper. Not even once! Not even 
			one little teeny weenie.

	The skipper grabs the gun from Gilligan.

				SKIPPER
			Oh give me that gun!

				GILLIGAN
			Can I go to bed now huh skipper? 

				SKIPPER
			Certainly Gilligan. You've earned a rest.

CUT TO: CLOSE UP OF GILLIGAN

				GILLIGAN
			Thank you sir.

CUT TO: CLOSE UP OF SKIPPER

				SKIPPER
			Right after you've chopped some wood, 
			cooked the breakfast and cleaned up the 
			area, I want you to take a nap and that's 
			an order.

CUT TO: PREVIOUS SHOT

				GILLIGAN
			Thank you sir.

CUT TO: CLOSE UP OF SKIPPER AND GILLIGAN

				SKIPPER
			Now let's get inside and rustle up some 
			breakfast.

	The skipper and Gilligan start walking to the supply 
	hut.

CUT TO: CLOSE SHOT NEAR HUT DOOR

	Gilligan is the first to enter the supply hut and in 
	doing so lifts some of the thatch roofing that is 
	hanging down over the door way.

CUT TO: INT - SUPPLY HUT - MORNING

	He lets go of it just as the skipper starts to enter 
	and hits the skipper in the face.

				SKIPPER
			    (SARCASTICALLY)
			Thanks a lot Gilligan.

	The skipper doesn't see the low doorway beam and 
	slams his head into it making him let out a howl.

				SKIPPER
			Awwww.Ooooooo

				GILLIGAN
			Watch your head skipper!

CUT TO: WIDE SHOT OF INTERIOR

	As Gilligan looks around the supply hut he notices 
	it's been ransacked. It's in total disarray.

				GILLIGAN
			Hey look.

	The skipper and Gilligan look around the hut and 
	inspect a few of the items strewn about.

				SKIPPER
			We been robbed!

				GILLIGAN
			Robbed!?

				SKIPPER
			Somebody broke in here last night!

CUT TO: CLOSE UP OF SKIPPER AND GILLIGAN

				GILLIGAN
			I think you're right skipper.

				SKIPPER
			Gilligan if you were wide-awake on your 
			post how could somebody get in the hut!?

				GILLIGAN
			I guess they must have picked the lock on 
			the back door!

				SKIPPER
			There is no back door!

				GILLIGAN
			Oh then they came in through the window.

				SKIPPER
			There is no window!

				GILLIGAN
			How 'bout down the chimney?
	
	The skipper is looking sternly at Gilligan.

			      (CONTINUED)
			No chimney. (pause)
			There's no back door, there's no window 
			and there's no chimney. Skipper? Looks 
			like we're up against a pretty clever 
			thief!

				SKIPPER
			Gilligan! Why don't you admit it! You 
			were asleep on guard duty!

				GILLIGAN
			Only during the robbery.

				SKIPPER
			      (VERY ANGRY)
			Ohhhh! Get out of here!

	Gilligan makes his way to the door way and stops to 
	lift the thatched roof hanging down.

				SKIPPER
			Well MOVE!!

	Gilligan goes through the door and the skipper get 
	hits with the thatched roof again.

CUT TO: EXT - HUT CLEARING - MORNING - WIDE SHOT

	The skipper and Gilligan have come out of the hut 
	and into the clearing.

				SKIPPER
			Thanks again Gilligan, now come on!  Got 
			to tell the others about this.

	Mary Ann, Ginger and the professor walk on camera.

				MARY ANN
			Good morning.

				SKIPPER
			Morning ladies! Professor.

				PROFESSOR
			Skipper.

				GINGER
			Hi!

				MARY ANN
			Can I help with breakfast?

				SKIPPER
			There may not be any breakfast. Thanks to 
			sleeping beauty here, we been robbed!

CUT TO: CLOSE UP OF MARY ANN, GINGER AND PROFESSOR

				PROFESSOR
			Robbed!?

CUT TO: CLOSE UP OF SKIPPER AND GILLIGAN

				SKIPPER
			Yes, somebody broke into the supply hut. 
			Took our food supplies the flashlight and 
			our flare gun!

CUT TO: CLOSE UP OF MARY ANN, GINGER AND PROFESSOR

				PROFESSOR
			There's only one answer. There must be 
			someone else living on the island.

CUT TO: CLOSE UP OF SKIPPER AND GILLIGAN

				GILLIGAN
			You're right professor.

CUT TO: CLOSE UP OF MARY ANN, GINGER AND PROFESSOR

				GINGER
			Well it could be an animal.

CUT TO: CLOSE UP OF SKIPPER AND GILLIGAN

				GILLIGAN
			You're right Ginger.

CUT TO: CLOSE UP OF MARY ANN, GINGER AND PROFESSOR

				PROFESSOR
			No. Flashlight and a flare gun? Those 
			things are only useful to a man.

				MARY ANN
			Oh if it were a man, we'd have seen him 
			before now.

CUT TO: CLOSE UP OF SKIPPER AND GILLIGAN

				GILLIGAN
			You're right Mary Ann.

CUT TO: CLOSE UP OF MARY ANN, GINGER AND PROFESSOR

				PROFESSOR
			It could be someone wanted by the police. 
			An escaped convict or a murderer.

CUT TO: CLOSE UP OF SKIPPER AND GILLIGAN

				GILLIGAN
			You're right again professor.

				SKIPPER
			Gilligan will you cut that out! Everyone 
			can't be right!

				GILLIGAN
			Skipper?

				SKIPPER
			What!?

				GILLIGAN
			You're right too.

CUT TO: CLOSE UP OF MARY ANN, GINGER AND PROFESSOR

				GINGER
			Hey do you really think it was an escaped 
			convict?

				MARY ANN
			Or a murderer!?

				PROFESSOR
			For our own safety, I suggest we start an 
			immediate search.

CUT TO: GROUP SHOT

				SKIPPER
			That's a good idea professor. Come on 
			Gilligan!

	The skipper and Gilligan walk off camera.

CUT TO: CLOSE UP OF MARY ANN AND GINGER 

				GINGER
			If we had to get marooned on an island, 
			why didn't we pick Manhattan?

FADE TO: EXT - HUT CLEARING - DAY - LATER

	Gilligan is pouring water from a five gallon Jerry 
	can I to a canteen the skipper is holding.

				GILLIGAN
			Can't I go along with you and the 
			professor on the manhunt?

				SKIPPER
			No Gilligan I want you to stay here with 
			Mr. Howell and guard the women. 

CUT TO: CLOSE UP - ANGLE ON SKIPPER

				SKIPPER
			Most of all we've got to get that flare 
			gun back!

CUT TO: CLOSE UP - ANGLE ON GILLIGAN 

				GILLIGAN
			Well you be careful huh skipper? Cause if 
			it is an escaped convict or a vicious 
			killer, he might be dangerous.

CUT TO: CLOSE UP - ANGLE ON SKIPPER

				SKIPPER
			Just between us Gilligan, I hope it's 
			only a vicious killer or an escaped 
			convict. I'm afraid it's something much 
			worse.

CUT TO: CLOSE UP - ANGLE ON GILLIGAN

				GILLIGAN
			Something much worse!?

CUT TO: CLOSE UP - ANGLE ON SKIPPER

				SKIPPER
				(SOTTO)
			Yes I think its voodoo.

CUT TO: CLOSE UP - ANGLE ON GILLIGAN

				GILLIGAN
			Voodoo!?

CUT TO: CLOSE UP OF SKIPPER AND GILLIGAN

				SKIPPER
			       (QUIETLY)
			Shhhhhhh! Lets not upset the women!

				GILLIGAN
			Lets not upset the men either!

				SKIPPER
			There's some weird and fantastic things 
			have been going on in these waters 
			Gilligan. For which there's only one 
			explanation.

				GILLIGAN
			Voodoo!?

				SKIPPER
			Voodoo.

	Gilligan is really starting to get spooked.

				SKIPPER
			Think of it, ever since we got to this 
			island, we've had nothing but bad luck. 
			One disaster after another. What do you 
			think caused it?

CUT TO: CLOSE UP - ANGLE ON GILLIGAN

				GILLIGAN
			I thought we all agreed it was me!


CUT TO: CLOSE UP - ANGLE ON SKIPPER

				SKIPPER
			No Gilligan, voodoo.

CUT TO: CLOSE UP - ANGLE ON GILLIGAN

				GILLIGAN
			Oh!

	Gilligan is filling up a gourd the skipper has as 
	the skipper tells his tale.

CUT TO: CLOSE UP OF SKIPPER AND GILLIGAN

				SKIPPER
			Now some people think it's a silly 
			superstition, but I've heard tell of 
			witch doctors in these parts can turn 
			people into Hyenas, and baboons and all 
			kinds of wild jungle animals.

CUT TO: CLOSE UP OF SKIPPER'S SHOE GETTING WET

CUT TO: CLOSE UP - ANGLE ON SKIPPER

	Gilligan is so entrenched by the skipper's story; he 
	doesn't stop filling the gourd even after it's 
	filled up. The water spills out all over the skipper 
	tennis shoes.

			      (CONTINUED)
			Gilligan, I think my shoe is full now.

CUT TO: CLOSE UP - ANGLE ON GILLIGAN

CUT TO: CLOSE UP OF SKIPPER AND GILLIGAN

				GILLIGAN
			Oh sorry sir.

				SKIPPER
			Thank you very much. 

	The skipper continues his tale.

CUT TO: CLOSE UP - ANGLE ON SKIPPER

				SKIPPER
			Evil spirits are spawned in these waters 
			Gilligan. 

CUT TO: CLOSE UP OF SKIPPER AND GILLIGAN

				SKIPPER
			And they cast their black spell, over all 
			those who invade their domain!

	The professor walks on camera from behind.

				PROFESSOR
			Ready skipper.

	The professor startles the skipper and Gilligan and 
	they both let out a horrible cry.

			       (CONTINUED)
			I'm sorry, I didn't mean to scare you.

				GILLIGAN
			That's all right I was scared already.

				SKIPPER
			I.I think we better be going professor.

				PROFESSOR
			Right.

	The skipper takes out a gun with a rabbit's foot 
	hanging from it and hands them to Gilligan.

				SKIPPER
			Ah Gilligan, I'm leaving these things 
			with you. A gun and a rabbit's foot. One 
			doesn't work, use the other.
			Come on professor.

	The skipper and professor walk off camera leaving 
	Gilligan alone.

				GILLIGAN
			But skipper!

CUT TO: CLOSE UP OF SKIPPER AND PROFESSOR

	The skipper and professor turn around after hearing 
	Gilligan.

CUT TO: CLOSE UP OF GILLIGAN

				GILLIGAN
			We don't have any bullets for this gun!

CUT TO: PREVIOUS SHOT

				SKIPPER
			Well you know that and I know that but 
			the killer won't know it!

CUT TO: CLOSE UP OF GILLIGAN

	Gilligan's face shows a sense of defeat.

FADE: TO: EXT - LAGOON AREA - DAY

	Ginger is sitting near the lagoon fixing her hair 
	and singing to herself.

				GINGER
			.I'm all a glow.

	Mary Ann runs on camera in a desperate state.


				MARY ANN
			Golly Ginger am I scared!
			I've never been so frightened in my whole 
			life!

	Ginger, still fixing her hair doesn't seem at all 
	aware of the danger.

				GINGER
			Neither have I.

CUT TO: CLOSE UP OF MARY ANN

				MARY ANN
			Just think, there may be some strange man 
			loose on this island!

CUT TO: CLOSE UP OF GINGER

				GINGER
			That's what I am thinking.
			Honey would you hand me my compact 
			please?

CUT TO: CLOSE UP OF MARY ANN

				MARY ANN
			What compact?

CUT TO: SHOT OF MARY ANN AND GINGER

	Ginger points to where the compact is.

				GINGER
			There. 

	Mary Ann bends down and picks up the compact for 
	Ginger.

				MARY ANN
			Clamshell?

				GINGER
			Yeah, cute huh? I made it myself.

CUT TO: CLOSE UP OF GINGER

				GINGER
			I had to have something to put my make-up 
			in.

CUT TO: CLOSE UP OF MARY ANN

				GINGER
			There's nothing in there but berries!

CUT TO: CLOSE UP OF GINGER

				GINGER
			That's right. The red berries are 
			lipstick, the blue berries are shadow and 
			the black berries are mascara.

CUT TO: CLOSE UP OF MARY ANN

				MARY ANN
			Oh honestly Ginger! You don't seem the 
			least bit worried!

CUT TO: CLOSE UP OF GINGER

				GINGER
			What's there to worry about?

CUT TO: CLOSE UP OF MARY ANN

				MARY ANN
			Well suppose the man they're looking for 
			turns out to be a killer!?

CUT TO: SHOT OF MARY ANN AND GINGER

				GINGER
			Honey, if the man they're looking for 
			turns out to be a man, he can do the 
			worrying. 

CUT TO: CLOSE UP OF MARY ANN

	Mary Ann is left with a worried looks on her face as 
	we.

FADE TO: EXT - HUT CLEARING - DAY

	Gilligan is seen working on some kind of trap made 
	from sticks and vines. He's pulling down on a rope 
	and trying to attach it to the sticks. Ginger is 
	seen walking on camera followed by Mary Ann who is 
	running straight for Gilligan's trap.

				MARY ANN
			Hi Gilligan!

				GILLIGAN
			Stop stop!

				MARY ANN
			Well what are you doing!?

CUT TO: CLOSE UP OF GILLIGAN

				GILLIGAN
			I just set a trap for the prowler.

				GINGER
				(O.S.)
			     (SEDUCTIVELY)
			So did I.

CUT TO: CLOSE UP OF GINGER

				GINGER
			    (SEDUCTIVELY)
			How does yours work?

CUT TO: PREVIOUS SHOT

				GILLIGAN
			When he comes down the trail to the 
			supply hut, his foot hits the stick, goes 
			into the loop and tchoooo!

	Gilligan makes a noise and points skyward to show 
	where the prowler will be caught.

CUT TO: CLOSE UP OF MARY ANN

				MARY ANN
			You've got your man!

CUT TO: CLOSE UP OF GILLIGAN

				GILLIGAN
			If it is a man. You never know what an 
			evil spirit might look like.

				GINGER
				(O.S.)
			Evil spirit?

CUT TO: CLOSE UP OF GINGER

				GINGER
			What are you talking about?

CUT TO: PREVIOUS SHOT

				GILLIGAN
			Oh nothin nothin at all.

				GINGER
				(O.S.)
			Gilligan are you.

CUT TO: CLOSE UP OF GINGER


			      (CONTINUED)
			.trying to tell us something?

CUT TO: CLOSE UP OF GILLIGAN

				GILLIGAN
			I'm trying NOT to tell you something.

CUT TO: CLOSE UP OF GINGER

				GINGER
			All right let me put it this way. What is 
			it that you're trying NOT to tell us?

CUT TO: CLOSE UP OF GILLIGAN

	Gilligan is placing leaves over the trap to hide it.

				GILLIGAN
			Please stop asking so many questions huh? 
			You'll both feel a lot safer if you just 
			think there's a dangerous killer loose on 
			the island.

	Gilligan makes a grimacing face, as he knows he let 
	the cat out of the bag.

CUT TO: CLOSE UP OF GINGER

	Ginger has a confused look on her face.

CUT TO: CLOSE UP OF MARY ANN

	Mary Ann looks at Ginger with the same confused 
	look.

CUT TO: WIDE SHOT - GROUP SHOT

	Gilligan is standing next to his trap with the Mary 
	Ann and Ginger looking on.

				GILLIGAN
			Now, stay away from this area huh girls? 
			And what every you do, don't walk down 
			this path and put your.

CUT TO: CLOSE UP OF GILLIGAN'S FOOT GOING INTO THE NOOSE

			      (CONTINUED)
				(O.S.)
			.foot into this noooo.

CUT TO: WIDE SHOT - GROUP

	Gilligan's foot is caught in the noose and it whisks 
	him up into the air. He's now dangling upside down 
	from the rope. 

			      (CONTINUED)
			.oooos! Heeeelp! Skipper!

CUT TO: CLOSE UP OF MARY ANN

	Mary Ann is looking up at Gilligan feeling helpless.

				MARY ANN
			Gilligan!?

				GILLIGAN
				(O.S.)
			Oooooooo!

CUT TO: CLOSE UP OF GINGER

	Ginger has a look of amusement on her face.

				GILLIGAN
				(O.S.)
			Oh Skipper help!

				GINGER
			All right, I won't put my foot in that 
			noose.

				GILLIGAN
				(O.S.)
			Oh Skipper help! Owwwwww!

CUT TO: WIDE SHOT - GROUP

	Gilligan is dangling upside down as Mary Ann and 
	Ginger run over to help him. Gillian is still 
	yelling for the skipper as we.

FADE TO: INT - MR AND MRS HOWELL'S HUT - DAY

	The Howell's are in their hut doing some work.

				MR HOWELL
			Well, that does it Lovey! Surly bit of 
			construction if I say so myself.

				MRS HOWELL
			Thurston what on earth is that on your 
			forehead?

	Mr. Howell wipes his forehead and looks at his hand.

				MR HOWELL
			Ah.looks like water, a.wonder where it 
			came from?

				MRS HOWELL
			Thurston I know what it is! I use to see 
			it on our gardener! It's perspiration!

				MR HOWELL
			It IS!? What can I put it in? I've got to 
			send it to dad, he'd be fascinated!

				GILLIGAN
				(O.S.)
			Mr. And Mrs. Howell!

				MRS HOWELL
			Dear, I do wish people wouldn't drop by 
			without letting us know they're coming.

				MR HOWELL
			It's only Gilligan Lovey.

				MRS HOWELL
			Yes I know, but everything is in such a 
			mess. The place looks like a hut!

				MR HOWELL
			Yes it is a rather crude cab anion.

	Gilligan makes it to the Howell's hut.

			      (CONTINUED)
			Come in, come in boy!

				GILLIGAN
			I just thought I'd check on you folks.hey 
			what's that?

				MRS HOWELL
			Well, we thought with the prowler in the 
			neighborhood, we better not take any 
			chances. So Thurston put up these bars.

				MR HOWELL
			He.he that's what we need, some 
			neighborhood bars ha.ha.ha.ha.ha!

				MRS HOWELL
			Oh Thurston you are a devil!

				MR HOWELL
			Ehhhr.I come up with 'em under pressure.

				SKIPPER
				(O.S.)
			Gilligan!!!

				GILLIGAN
			Hey it's the skipper. I better go see 
			what he found out.

	Gilligan exits the Howell's hut.

				MR HOWELL
			Oh dash it all!

				MRS HOWELL
			What is it dear?

				MR HOWELL
			I forgot to show him my perspiration. I 
			wonder if I can do it again.
	
CUT TO: EXT - JUNGLE  - DAY

	Gilligan is walking along looking for the skipper.

				GILLIGAN
			Skipper!? Skipper where are you!?

				SKIPPER
				(O.S.)
			Over here Gilligan.

	Gilligan continues to hunt for the skipper. As 
	Gilligan is searching we see the skipper comfortably 
	hanging upside down from Gilligan's trap.

				GILLIGAN
			Where?

				SKIPPER
			Right here Gilligan.

	Gilligan looks up and sees the skipper.

				GILLIGAN
			I see you found my trap.

				SKIPPER
			Yes I did.

				GILLIGAN
			Works pretty good huh?

				SKIPPER
			Works fine. Works just fine.

				GILLIGAN
			Oh good it had me pretty worried. I 
			didn't think it was going to work at all.

				SKIPPER
			Oh you don't have to worry about the trap 
			Gilligan. You don't have to worry about 
			anything. UNTIL I GET DOWN OUT OF HERE 
			NOW GET ME DOWN OUT OF HERE!!!!!

	Gilligan panics and doesn't know what to do so he 
	salutes the upside down skipper.
	
				SKIPPER
			Don't salute me! Get me down from here!!

	Gilligan starts to take a knife to the rope as we.

FADE TO: STOCK SHOT OF EVENING SKY OVER THE OCEAN

FADE TO: STOCK SHOT OF CLOUDY SKY OVER PALM TREES

CUT TO: EXT - HUT CLEARING - NIGHT

	Gilligan is once again standing guard duty and hears 
	the grunts of the same monster that robbed the 
	supply hut the day before. Gilligan makes his way to 
	the supply hut and is very frightened.

CUT TO: CLOSE UP OF GILLIGAN LOOKING INTO SUPPLY HUT  

CUT TO: INT - SUPPLY HUT - NIGHT
WIDE SHOT

	Gilligan enters the supply hut and starts to look 
	around. We see the shadow of a monster cast on the 
	hut's wall.
 	
				GILLIGAN
			Killer.

CUT TO: CLOSE UP OF GILLIGAN

				(CONTINUED)
			.voodoo.no bullets.
				(WEAKLY)
			Help!

CUT TO: PREVIOUS SHOT

	Gilligan has the empty gun and knows it's no good. 
	He's so frightened that he can barely speak. 
	Suddenly the monster leaps at Gilligan and all we 
	see in the dark is the monster being flung around by 
	Gilligan and the horrible noises the monster makes. 
	Gilligan is screaming for help as he battles the 
	monster. He breaks free and flees the hut.

CUT TO: EXT - CLEARING - NIGHT
MEDIUM SHOT NEAR HUT

				GILLIGAN
				(O.S.)
			HELP! HELP! 

	The skipper and professor have heard the commotion 
	and comes running out of their hut.

PAN RIGHT WITH SKIPPER AND PROFESSOR TO GILLIGAN

				GILLIGAN
			Oh Skip.ma.ma.ma.ma.!

				SKIPPER
			What is it!

	Gilligan is truly terrified and just keeps rambling 
	on and pointing towards the supply hut.

				GILLIGAN
			.ma.ma.ma.ma.a monster!

				SKIPPER
			A ma.in the hut? Something in the.

				GILLIGAN
			A monster! A monster!

				SKIPPER
			Gilligan get a hold of yourself! I can't 
			understand what you're.

				GILLIGAN
			A monster! A monster in the supply hut!

				SKIPPER
			A monster in the hut, all right! Just a 
			minute! Let's go and investigate!
			You ready professor!?

	The skipper, Gilligan and the professor make there 
	way cautiously to the supply hut. The skipper and 
	professor go into the hut.

				GILLIGAN
			Careful, careful careful!

	The skipper and professor come out of the supply hut 
	empty handed.

				GILLIGAN
			You got'em. Well!? Well!?

				SKIPPER
			Now Gilligan what ever it was that 
			attacked you is gone.

PAN LEFT WITH SKIPPER, PROFESSOR AND GILLIGAN

				GILLIGAN
			No no!

	We see that the commotion has awakened the rest of 
	the castaways who are now out side the hut watching.

				PROFESSOR
			You must have been dreaming.

				GILLIGAN
			No no no no dreaming!

				SKIPPER
			Gilligan get a hold.

	Gilligan has panicked and is trying to get the 
	professor and the skipper to believe him. He starts 
	to rant and rave about his experience. He starts to 
	re-enact the encounter in a frenzied manner.

				SKIPPER
			Tell us!

				GILLIGAN
			All of a sudden.all of a sudden a 
			monster, eight feet tall came out of 
			nowhere and he attacked me! 
	
CUT TO: CLOSE UP OF GILLIGAN

	Gilligan is making wild gestures to illustrate his 
	experience.

			      (CONTINUED)
			An he.and he had long arms, and claws and 
			big yellow teeth! An.and I kept hitting 
			him, and it bounced off him! An his.and 
			his arms where like steel and they 
			started to squeeze me and squeeze me! I 
			don't know how I did it, but I.but I 
			broke loose!

	Gilligan re-enacting the attacked wraps his arms 
	around himself during the story and ends up flinging 
	himself to the ground.

CUT TO: CLOSE UP OF GINGER AND MARY ANN


				MARY ANN
			       (DREAMILY)
			Ginger, isn't he marvelous!?

QUICK CUT TO: MR AND MRS HOWELL

				SKIPPER
				(O.S.)
			Now hear this professor. 

CUT TO: SKIPPER AND PROFESSOR

			      (CONTINUED)
			I had some doubts before but, now I'm 
			positive I know what it its. If you'd 
			been sailing these waters as long as I 
			have, you'd be positive too! (pause)
			It's Voodoo!

CUT TO: CLOSE UP OF MR AND MRS HOWELL

				PROFESSOR
				 (O.S.)
			Voodoo!? Oh come now skipper I'm a 
			science teacher.

CUT TO: CLOSE UP OF GINGER AND MARY ANN

				PROFESSOR
				 (O.S.)
			You can't ask me to believe in a thing 
			like voodoo!

				SKIPPER
				(O.S.)
			I knew a sailor once who said that to a 
			witch doctor.

CUT TO: CLOSE UP OF SKIPPER, PROFESSOR AND GILLIGAN

			      (CONTINUED)
			.and they never say him again!

				PROFESSOR
			Awe skipper.

				SKIPPER
			I'm not through yet! They never saw the 
			sailor again but, the next day in his 
			hammock they found a Parrot. The Parrot 
			kept saying over and over again, five 
			three three nine nine three. That was the 
			sailor's serial number.
			Well I'm through now.

				GILLIGAN
			I think I'm through too!

	Gilligan is so frightened by the skipper's story 
	that he faints to the ground and the skipper the 
	professor try to catch him.

				SKIPPER
			Gilligan!


								FADE OUT
								




				ACT TWO

FADE IN 

STOCK SHOT OF PALM TREES

	Gilligan and the professor are walking through the 
	jungle in search of the monster. Gilligan is visibly 
	worried.

				GILLIGAN
			Professor? It's getting kind of late. Why 
			don't we call off the search and go back 
			to camp?

				PROFESSOR
			Because the flare gun is our only chance 
			to be rescued. Gilligan, only a coward 
			would quit at a time like this.

				GILLIGAN
			Oh. Well would it be all right for the 
			cowards to quit and go back to camp?

				PROFESSOR
				All this talk about voodoo and witchcraft 
			is ridiculous. What ever you saw last 
			night, there is a simple logical 
			explanation for it.

				GILLIGAN
			Probably nothing more than a monster.

				PROFESSOR
			Gilligan there is no such thing as a 
			monster, will you believe that.

				GILLIGAN
			I'll try sir.

				PROFESSOR
			I know what I'm talking about. The only 
			place you'll ever find a monster is in 
			your mind.

				GILLIGAN
			And in the supply hut.

				PROFESSOR
			You know I think we can cover more ground 
			if we split up. I'll go this way and you 
			go that way.

				GILLIGAN
			Wo.wo.wait a minute professor. Wa.why 
			don't we just stay together and kind of 
			go this way?

				PROFESSOR
			Gilligan, you're suffering from anxieties 
			activated in your subconscious by a 
			traumatic experience last night, 
			resulting in withdrawal syndromes. Do you 
			know what means?

				GILLIGAN
			I'm chicken.

				PROFESSOR
			You see what's off in that direction and 
			I'll meet you back at camp.

	The professor walks off camera as Gilligan is left 
	standing alone in the jungle. Gilligan has a last 
	second question and turns to talk to the professor 
	who is no longer there.

				GILLIGAN
			Oh wait a min.n.n.n

	Gilligan, now alone, starts walking through the 
	jungle. He's not sure where he's at, and then 
	suddenly he loses his footing and trips.

CUT TO: GILLIGAN SLIDING DOWN MUDDY PATH ON HILL SIDE

CUT TO: SAME SCENE - NEW ANGLE

CUT TO: GILLIGAN SLIDING DOWN HILL SIDE INTO MUD PUDDLE

	Gilligan has slid a considerable way down the side 
	of the hill and right into a large mud puddle. 

CUT TO: CLOSE UP OF GILLIGAN COVERED IN MUD

FADE TO: EXT - JUNGLE - DAY

	We see Gilligan walking along a path that leads to 
	the lagoon still covered in mud. 

PAN RIGHT WITH GILLIGAN

	The path Gilligan is walking on ends in a small 
	grassy area next to the lagoon. He walks to the edge 
	and dives head first into the lagoon. He starts to 
	swim around as we.

CUT TO: BUSHES NEAR LAGOON MOVING WITH MONSTER GROWLING

CUT TO: PREVIOUS SHOT

	Gilligan has taken off his clothes and tosses them 
	onto the small grassy area at the end of the path. 
	He then continues to swim around the lagoon getting 
	the mud off.

QUICK CUT TO: MOVING BUSHES AND MONSTER GROWL

QUICK CUT TO: EXT - JUNGLE - DAY
	
	We see a chimpanzee moving quickly down the path 
	towards the lagoon. We follow the chimp as he picks 
	up the pile of clothes and turns and walks off 
	camera.

CUT TO: EXT - LAGOON - DAY
	
	Gilligan is still swimming around the lagoon.

CUT TO: EXT - JUNGLE - DAY

	The chimp is making his way back up the path with 
	Gilligan's clothes.

FLIP TO: EXT - LAGOON - DAY

	Gilligan is swimming to the edge of the lagoon. We 
	can see that there are no clothes on the grass.

CUT TO: CLOSE UP GRASSY AREA - NO CLOTHES

CUT TO: PREVIOUS SHOT

	Gilligan makes it to the edge of the lagoon only to 
	find his clothes missing. He scratches his head in 
	disbelief as we.

FADE TO: STOCK SHOT OF SUNSET OVER PALM TREES

FADE TO EXT - HUT CLEARING - NIGHT

	We see the skipper kneeling down before a roaring 
	fire as Mary Ann and Ginger come out of a hut and 
	make their way over to the skipper. Ginger is 
	carrying a fan and is fanning herself.

				GINGER
			What's the big blaze about skipper, it's 
			hot enough.

				SKIPPER
			Nothing like a good fire to keep the bugs 
			away.

				MARY ANN
			Bug?

CUT TO: CLOSE UP OF SKIPPER

				SKIPPER
			Mosquitoes, moths, zombies, vampires.

CUT TO: CLOSE UP OF GINGER AND MARY ANN

				MARY ANN
			I saw a picture called the land of the 
			vampires once, and they didn't build a 
			fire to chase away the monsters, they 
			hung out pieces of Wolf Bain.

CUT TO: CLOSE UP OF SKIPPER

				SKIPPER
			Wolf Bain!? That's Hollywood for you. Any 
			fool knows that Wolf Bain is only used 
			against Werewolves. 

CUT TO: CLOSE UP OF GINGER AND MARY ANN

				MARY ANN
			It was a very good picture!

CUT TO: CLOSE UP OF SKIPPER

				SKIPPER
			Maybe so, but a glaring mistake like that 
			makes the whole picture unbelievable.

CUT TO: CLOSE UP OF GINGER AND MARY ANN

				MARY ANN
			I guess you're right skipper. Gee you 
			were in the land of the vampires weren't 
			you Ginger?

				GINGER
			No, I was up for a part. But I was the 
			wrong blood type.

CUT TO: WIDE SHOT - GROUP

	We see the professor emerge from the jungle and make 
	his way over to the others.

				PROFESSOR
			Hi!

				GINGER
			Hi.

				SKIPPER
			Hi professor! Did you find anything?

				PROFESSOR
			No, I must have walked twenty miles, 
			didn't see a thing.

				SKIPPER
			Where's Gilligan?

CUT TO: CLOSE UP OF SKIPPER AND PROFESSOR

	The professor has a concerned look on his face.

				PROFESSOR
			I thought he'd be here. I was lost for 
			the last couple of hours.

CUT TO: CLOSE UP OF GINGER AND MARY ANN

				MARY ANN
			Oh golly! Do you suppose that's what's 
			happened to Gilligan!?

CUT TO: CLOSE UP OF SKIPPER AND PROFESSOR

				PROFESSOR
			I don't know. Well maybe we better go 
			look for him before it gets to late.

				SKIPPER
			You're right professor that poor kid'll 
			never find his way back here. Tell you 
			what, we'll split up into three groups.

CUT TO: WIDE SHOT - GROUP

			      (CONTINUED)
			You and the girls go out this way. I'll 
			get the Howell's and send them out that 
			way. 

PAN LEFT WITH SKIPPER

	The skipper walks over near the hut where a 
	chimpanzee wearing Gilligan's clothes can be seen.

			      (CONTINUED)
			Gilligan and I will go right.

	The skipper does a double take at what he thought 
	was Gilligan.

CUT TO: CLOSE UP OF CHIMPANZEE WEARING GILLIGAN'S CLOTHES

CUT TO: CLOSE UP OF SKIPPER

				SKIPPER
			A monkey!? What's he doing in Gilligan's 
			clothes!?

	Suddenly the skipper realizes the cause.

			      (CONTINUED)
			It's Voodoo! They've changed Gilligan 
			into a monkey!

QUICK CUT TO: CLOSE UP OF CHIMP

QUICK CUT TO: CLOSE UP OF SKIPPER

				SKIPPER
			Speak to me little buddy! Speak to me!

CUT TO: CLOSE UP OF GINGER, PROFESSOR AND MARY ANN

				PROFESSOR
			That's not Gilligan! That's a chimp!

CUT TO: CLOSE UP OF SKIPPER 

				SKIPPER
			It's happened. I should have never let 
			him go into the jungle.

CUT TO: CLOSE UP OF GINGER AND PROFESSOR

				GINGER
			That's not Gilligan skipper!

				PROFESSOR
			Of course not. Voodoo is just a lot of 
			suppositious nonsense.

CUT TO: CLOSE UP OF SKIPPER

				SKIPPER
			Oh it is huh!? Well I'll bet Gilligan has 
			a different story to tell.

CUT TO: CLOSE UP OF CHIMPANZEE

	The chimp is making screeching sounds as if he's 
	trying to communicate.

CUT TO: CLOSE UP OF SKIPPER

				SKIPPER
			Oh don't try to talk now Gilligan. You 
			been through too much.

CUT TO: WIDE SHOT 

	Mr. Howell is seen walking on camera and heading 
	over to the rest.

				MR HOWELL
			Oh skipper!? 

	He walks up to the skipper with a determined look on 
	his face.

				MR HOWELL
			There you are. Been waiting all afternoon 
			for that bamboo you promised me.

CUT TO: CLOSE UP OF CHIMP

	The chimp is making noise again.

CUT TO: CLOSE UP OF MR HOWELL

				MR HOWELL
			What's that monkey doing here?

	The chimp is making even more noise at Mr. Howell.

				MR HOWELL
			Now just a minute young fellow! What are 
			you doing in Gilligan's clothes!?

CUT TO: CLOSE UP CHIMP

	The chimp makes more screeching as if answering Mr. 
	Howell.

CUT TO: CLOSE UP OF SKIPPER

				SKIPPER
			Mr. Howell its voodoo!

CUT TO: CLOSE UP OF MR HOWELL

				MR HOWELL
			Good heavens! Well, some witch doctor 
			will have his license revoked for this!
			Black magic I tell you!

CUT TO: CLOSE UP OF SKIPPER

				SKIPPER
			Please Mr. Howell if you don't mind, I'd 
			like to have a minute alone with my 
			little buddy here.

CUT TO: CLOSE UP OF MR HOWELL

				MR HOWELL
			Yes but.

				SKIPPER
				(O.S.)
			Please!

				MR HOWELL
			Well.

	Mr. Howell gives in and reluctantly walks off.

CUT TO: MEDIUM SHOT OF SKIPPER AND CHIMP

	The skipper sits down next to the chimp.

				SKIPPER
			Gilligan.

	The chimp gets onto the skippers lap.

			     (CONTINUED)
			You want to get onto my lap that's all 
			right. If you're more comfortable that 
			way.

CUT TO: CLOSE UP OF SKIPPER AND CHIMP

			     (CONTINUED)
			Gilligan, I know it's going to be hard 
			for you to a.adjust to this new way of 
			life. But if you're half the man that I 
			think you are, I know you'll come through 
			with flying colors.
			Awe I just can't bare to see you in those 
			clothes.

	The skipper starts to take off Gilligan's clothes 
	from the chimp.

				SKIPPER
			Gilligan, you know, besides the fact that 
			these clothes you won't need'em, in this 
			condition! We'll give up the sea.

CUT TO: MR HOWELL, GINGER, THE PROFESSOR AND MARY ANN
MEDIUM SHOT

CUT TO: PREVIOUS SHOT

	The Chimp starts making loud screeching noises and 
	is getting impatient.

			     (CONTINUED)
			Oh Gilligan, let me tell ya, I'm gonna 
			make you happy the rest of the days of 
			your life. We'll.we'll get an apartment. 
			One that takes monkeys. And I tell you 
			what, I'll be your crew, and you can be 
			the skipper!

	The skipper places his captain's cap on the chimp.

CUT TO: WIDE SHOT - GROUP

CUT TO: MEDIUM SHOT OF SKIPPER AND CHIMP

	The Chimp gets off his lap and takes off.

				SKIPPER
			Gilligan! Gilligan wait a minute! I 
			didn't mean to hurt your feelings!

CUT TO: WIDE SHOT - GROUP

				SKIPPER
			Gilligan come back! Wait! Gilligan! Come 
			back! Wait a minute little buddy!

	The professor takes off after the Chimp followed by 
	the Skipper after he runs on camera.

FLIP TO: EXT - JUNGLE - NIGHT 			

	We see Gilligan walking through the jungle now 
	wearing a banana leaf and palm frond skirt. He 
	continues to walk and finds the lost supplies by 
	stubbing his toes into them. 

QUICK CUT TO: CLOSE UP OF GILLIGAN

	Gilligan starts to look through the various items 
	scattered on the ground.

QUICK CUT TO: SHOT OF SIGNAL FLARE BOX AND TIM CANS

QUICK CUT TO: MEDIUM SHOT OF GILLIGAN

	Gilligan spots the chimp wearing the skipper's cap.

QUICK CUT TO: CLOSE UP OF CHIMP WITH SKIPPER'S CAP

QUICK CUT TO: PREVIOUS SHOT

	Gilligan, like the skipper, assumes that voodoo has 
	turned the skipper into a Chimp.

QUICK CUT TO: CLOSE UP OF CHIMP HOLDING FLARE GUN

QUICK CUT TO: CLOSE UP OF GILLIGAN

				GILLIGAN
			Skipper!? 

CUT TO: PREVIOUS SHOT

QUICK CUT TO: MEDIUM SHOT OF GILLIGAN AND CHIMP

				GILLIGAN
			Skip.Oh what happened, huh?

CUT TO: CLOSE UP OF GILLIGAN

				GILLIGAN
			It's voodoo! You were right!

CUT TO: CLOSE UP OF CHIMP 

	The Chimp just sits and says nothing.

CUT TO: MEDIUM SHOT OF GILLIGAN AND CHIMP

				GILLIGAN
			Rather not talk about it huh?
			And you found the flare gun huh!? Yeah 
			look, I found all the rest of the stuff 
			that was stolen huh!

	The Chimp reacts with a screech.

				GILLIGAN
			You can check it if you like! 

CUT TO: CLOSE UP OF GILLIGAN

				GILLIGAN
			Did ya tell'em back at camp what happened 
			yet? 

CUT TO: MEDIUM SHOT OF GILLIGAN AND CHIMP

				GILLIGAN
			Huh? How 'bout that professor huh? Won't 
			you have a laugh on him when he sees 
			you've.

CUT TO: CLOSE UP OF GILLIGAN

			      (CONTINUED)
			.been turned into a monkey huh!?

CUT TO: CLOSE UP OF CHIMP


	The chimp starts to make noises again and waves his 
	arms as if he's upset.

CUT TO: CLOSE UP OF GILLIGAN

				GILLIGAN
			Oh no skipper I wasn't laughing at you!

	The Chimp takes off through the jungle.

CUT TO: MEDIUM SHOT OF GILLIGAN AND CHIMP

			      (CONTINUED)
			I.I wasn't laughing at you! No skipper I 
			wasn't laughing at you! 

	Gilligan runs after the chimp.

CUT TO: EXT - JUNGLE - NIGHT

	Gilligan is running through the jungle after the 
	"skipper" Chimp. The skipper is also running through 
	the jungle looking for the "Gilligan" Chimp.

				GILLIGAN
			Skipper! SKIPPER!

				SKIPPER
				(O.S.)
			Gilligan!

				GILLIGAN
			Skipper!

				SKIPPER
				(O.S.)
			Gilligan!!

	As Gilligan is running down the path, he runs 
	straight into the arms of the skipper who is out 
	looking for him. They both fall to the jungle floor 
	and start to tussle. In their panic, they thinks
	they've been caught by the monster and a scuffle 
	takes place.

				GILLIGAN
			Ahhhhh!.Skipper! The monster! Help the 
			monster help! 

				SKIPPER
			Let go of me! Let go!

	They finally realize it's not the monster.

				SKIPPER
			Gilligan, you're all right!!

				GILLIGAN
			So are you!!

				SKIPPER
			I guess that spell doesn't last huh!?

				GILLIGAN
			It looks like it doesn't! Lucky for us 
			the witch doctor turned out to be a 
			quack!!

				SKIPPER
			Oh Gilligan, this is the happiest moment 
			of my life!

				GILLIGAN
			Yeah!

				SKIPPER
			I want you to know that every word I said 
			I meant! Did you really understand me 
			little buddy!?

				GILLIGAN
			Uh, Not exactly, could you understand 
			me!?

				SKIPPER
			Well.not everything, but.well come on 
			let's tell the others about it!!

	Gilligan and the skipper take off into the jungle as 
	they head back to camp.

CUT TO: EXT - HUT CLEARING - NIGHT

	We see the other castaways positioned around the 
	Chimpanzee that has the flare gun and are trying to 
	coax the chimp into giving it up. 

				MR HOWELL
			Do.don't panic.no.no.Lovey it is not a.

				OTHERS
				(AD LIB)
			Come on!  Come on!

	The skipper and Gilligan arrive at the clearing 
	ready to tell their tale when they see what's going 
	on.

				SKIPPER
			.First thing that happened to us, we were 
			in the jungle, then we were running back 
			to.

CUT TO: CLOSE UP OF CHIMP

	The skipper sees the chimp with the flare gun.

CUT TO: CLOSE UP OF GILLIGAN AND THE SKIPPER

				SKIPPER
			Hey it's a chimp!

CUT TO: WIDE SHOT - GROUP

				PROFESSOR
			Careful it's got the flare gun!

		The skipper reaches out to the chimp.

				SKIPPER
			Why give me that!

				PROFESSOR
			Don't scare'em. If we loose that gun we 
			can't use the flares!

				GILLIGAN
			I'll get it get behind me get behind me! 
			I'll get it, I'll get it!

	Gilligan is approaching the chimp carefully while 
	the others stand off to the side out of the way.

				GILLIGAN
			.cause.cause you're my little pal. Aren't 
			ya huh little pal?

QUICK CUT TO: CLOSE UP OF CHIMP

	The chimp makes noises while swinging the flare gun 
	around. He's not giving up the flare gun.

QUICK CUT TO: CLOSE UP OF GILLIGAN

				GILLIGAN
			Don't point it.no!

CUT TO: CLOSE UP OF CHIMP

	The chimp makes more noises but doesn't listen.

CUT TO: CLOSE UP OF GILLIGAN

				GILLIGAN
			Stop laughing! It's not funny I.I want 
			the gun. Come on, throw me the gun!

CUT TO: CLOSE UP OF CHIMP
	
	The chimp shakes his head no.

CUT TO: CLOSE UP OF GILLIGAN

				GILLIGAN
			What do you mean no!?
			Come on give me the gun.

CUT TO: CLOSE UP OF CHIMP

	Chimp makes no attempt to listen.

CUT TO: CLOSE UP OF GILLIGAN
	
	Gilligan gets an idea.

				GILLIGAN
			Hey skipper, throw me a banana huh.

CUT TO: WIDE SHOT - GROUP

	The skipper gets Gilligan a banana and tosses it to 
	him.

CUT TO: MEDIUM SHOT OF GILLIGAN CATCHING BANANA

				GILLIGAN
			Yeah. 

CUT TO: WIDE SHOT GROUP 

				GILLIGAN
			Ready? I'll give it to you. If you give 
			me the gun.

CUT TO: CLOSE UP OF MR AND MRS HOWELL AND SKIPPER

	They are looking on in anticipation

CUT TO: CLOSE UP OF GILLIGAN


	Gilligan approaches the chimp with the offer of a 
	banana.

				GILLIGAN
			I'll give you the banana, see? If you 
			give me the gun, I'll give you the 
			banana! Here we are!

CUT TO: CLOSE UP OF CHIMP

	We see Gilligan's hand in shot holding out the 
	banana. 

				GILLIGAN
				(O.S.)
			Here's the banana!
			Now you give me the gun, give me the gun 
			and.

	The Chimp grabs the banana, and gives up the gun and 
	takes off.

CUT TO: CLOSE UP OF GILLIGAN
 
	Gilligan has the gun and stands up excited about his 
	success.

			     (CONTINUED)
			.I got it!

CUT TO: WIDE SHOT - GROUP

	Ginger lets out a squeal of delight. Every one 
	starts giving Gilligan praise for his success.

				SKIPPER
			Way to go little buddy!

				ROFESSOR
			I hope it still works!

	On hearing that, Gilligan holds out the flare gun.

				GILLIGAN
			Oh sure it does see!?

				SKIPPER
			Oh! Don't pull the.!

	.and fires! 

CUT TO: WIDE SHOT - EXTERIOR OF HUT

	We watch as the flare goes into the front door of 
	the hut. 

CUT TO: WIDE SHOT - GROUP

				SKIPPER
			.trigger!

	The castaways have a look of horror on their faces.

				PROFESSOR
			The flares are in there!!

CUT TO: MEDIUM SHOT - GROUP

	Gilligan runs off camera towards the hut.

				GILLIGAN
			Oh I'll save 'em!

				SKIPPER
			Wait Gilligan. 

CUT TO: MEDIUM SHOT - EXTERIOR OF HUT AND DOOR

	Gilligan runs to the door and enters.


				SKIPPER
				(O.S.)
			.it's too late!

QUICK CUT TO: WIDE SHOT - GROUP

				GINGER
			Ooooo,Oooooo Gilligan!
			Oh don't go in.

CUT TO: MEDIUM SHOT - EXTERIOR OF HUT

				GINGER
				(O.S.)
 			.there Gilligan!

	Just then the hut begins to erupt in a display of 
	fireworks while Gilligan is inside. Eventually the 
	eruptions stop and al is quiet. We see Gilligan come 
	out of the hut, covered in smoke, dust and soot. His 
	clothing is torn to shreds and he's looking very 
	beat up. He holds up the gun with a smile.

CUT TO: CLOSE UP OF GILLIGAN

				GILLIGAN
			Well, at least we know the flare gun 
			works!

CUT TO: WIDE SHOT - GROUP

				SKIPPER
			Oh Gilligan!

CUT TO: PREVIOUS SHOT

	Gilligan coughs, continues to smile as we.



								FADE OUT




				EPILOG
FADE IN

EXT - LAGOON CLEARING - DAY

	We see a table set up with an assortment of food 
	laid out for a banquet. Mary Ann and Ginger are 
	present as the other castaways make there way on 
	camera to the table. The castaways are chatting idly 
	with each other, as they get ready to eat. The 
	Howell's can be readily heard while the others are 
	indistinct.

				MR HOWELL
			Oh Lovey. Simply charming. I must say a 
			luau!

				SKIPPER
			Gees it looks beautiful!

				MARY ANN
			Are you hungry!?

				MR HOWELL
			Sit right here darling. Right over here.

				MRS HOWELL
			My this is lovely.

				MR HOWELL
			Oh my, ah drink holders.

	As they're settling down we.

CUT TO:  CLOSE UP OF CHIMPANZEE

	The chimp is back in Gilligan's clothes and making 
	his chimp noises to get attention.

CUT TO: PREVIOUS SHOT

	The castaways stop what they're doing and look 
	towards the chimp.

				SKIPPER
			Hey Gilligan where are you!?

CUT TO: EXT - JUNGLE - DAY

	Gilligan is seen coming out of the jungle dressed as 
	he was before. Just a banana leaf and palm frond 
	skirt. The chimp. Still in Gilligan's clothes is 
	sitting on the ground in front of him.

CUT TO: WIDE SHOT - GROUP

				SKIPPER
			Hey what's the big idea?

CUT TO: PREVIOUS SHOT

	Gilligan picks up the Chimp and holds it like a 
	small child.

				GILLIGAN
			Well, maybe we should keep it this way. 
			You seem to like me better as a chimp.

CUT TO: WIDE SHOT - GROUP

	The others react to Gilligan's self pity.

				OTHERS
				(AD LIB)
			Oh Gilligan. Don't be silly.

				PROFESSOR
			Come on over here.

				MR HOWELL
			Tell him skipper.

	The skipper walks off camera towards Gilligan.

CUT TO: EXT - JUNGLE - DAY

	Gilligan is standing in his makeshift skirt as the 
	skipper approaches him.

				SKIPPER
			Gilligan I want you to know you're 
			forgiven.

CUT TO: CLOSE UP OF SKIPPER AND GILLIGAN

				SKIPPER
			Now I may spout off at you, but you're at 
			the top of the list with me.

				GILLIGAN
			Skipper, you don't know how much that 
			means to me.  Coming from a man I'll 
			always look up to.

	The skipper and Gilligan start walking back to the 
	party.

				SKIPPER
			You mean that little buddy!? You'll 
			really always look up to me!?

CUT TO: CLOSE UP OF SKIPPERS FOOT SETTING OFF TRAP

CUT TO: WIDE SHOT - SKIPPER AND GILLIGAN

	We see the skipper being whisked into the air at the 
	end of Gilligan's rope trap. 

CUT TO: CLOSE UP OF GILLIGAN

				GILLIGAN
			Way up!

CUT TO: PREVIOUS SHOT

				SKIPPER
			Gilligan get me down!
			Gilligan!

	We're left with the skipper dangling upside down 
	from Gilligan's trap as we.

								FADE OUT


				END CREDITS
GILLIGAN'S ISLAND
Voodoo Something to Me   
Rev.  10/10/64